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"Honestly, I do." "Oh! catch him! do catch him!" cries Mona, "Look, there he is again! Don't you see?" with growing excitement. "Over there, under that bush. Why on earth can't you see him? Ha! there he is again! Little wretch! Turn him back, Geoffrey; it is our last chance." As soon as he had gone they began to talk about this strange person. They were afraid of him and did not know what to do. The children began to cry, and the women tried to quiet them. Presently the young man came back, bringing some meat..

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It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair. Mona is looking up to it now, with a rapt, pensive gaze, her great blue eyes gleaming beneath its light. She is sitting upon the side of the hill, with her hands clasped about her knees, a thoughtful expression on her lovely face. At each side of her, sitting bolt upright on their huge haunches, are the dogs, as though bent on guarding her against all evil. "I don't like Mr. Boer," says Mona, "and it was not me he came to see." "Nothing makes me so hungry as Lady Lilias," says Doatie, comfortably. She is lying back in a huge arm-chair that is capable of holding three like her, and is devouring bread and butter like a dainty but starved little fairy. Nicholas, sitting beside her, is holding her tea-cup, her own special tea-cup of gaudy Sèvres. "She is very trying, isn't she, Nicholas? What a dazzling skin she has!—the very whitest I ever saw.".